An evening of masterful and raw soul music.
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With an active career since the 1980s, Ruby Turner surely sits among the old guard of British soul. While perhaps lacking the mainstream recognition of British soul singers such as Beverley Knight and Joss Stone, the Jamaican born vocalist and songwriter continues to be adored and celebrated by her fans – and never struggles to sell out a concert.
Last night’s performance at Ronnie Scott’s – the world renowned, exquisite jazz club in the heart of Soho, London – was a case in point. Having recently finished a New York residency with long-term collaborator Jools Holland, Turner has returned to Ronnie Scott’s for three sold-out concerts (19th-21st February 2017). For soul music fans who have sadly missed out on this, let this review be an encouragement to seek out any future opportunities to hear and see Ms Turner perform.
Fundamentally, Turner represents a no-frills style of raw soul singing. Her voice has an astounding resonance, whether singing softly away from the microphone or digging into her guttural belt. A teasing performer, Turner and her band compile long, unravelling arrangements before she generously unleashes her explosive vocals. This is not to deny Turner’s grasp of subtlety and nuance. More laid-back songs such as ‘So Amazing’ and ‘Master Plan’ are imbued with a conviction and warmth.
At times, the set was just as much a showcase for her band as it was for Turner herself. Paul Pryor on bass, Simon Moore on drums, Nick Marland on guitar, and Mark Walker on keyboards enthralled the audience – animating a well-chosen selection of Turner originals and soul/gospel classics. Stand out arrangements included the opening number ‘On The Defence’, and the funk-gospel tune ‘Still On My Mind’.
The showstopper of the evening was Turner’s acclaimed interpretation of the Etta James heartbreak classic, ‘I’d Rather Go Blind’. This elongated rendition, where the band drops in and out, and where Turner reduces her voice to a faint whisper, proves an emotionally exhausting listening experience. Turner squeezes emotion out of each syllable in what can truly be described as a masterclass in singing. It remains one of her defining performances.
(Image taken by Steven Cropper)
(This reviewed performance took place on 19th February 2017 at Ronnie Scott’s Jazz Club)
